LEE SEUNGHWAN
LEE SeungHwan - Artist
Instead of a soul or essence, the algorithmic person is defined by a distribution of data, patterns, and interactions scattered across many platforms and interfaces.
What Algorithms Want : Imagination in the Age of Computing, ED Finn
Algorithms broke the boundaries between real and virtual and became a common operation. Additionally, she continues to express her desire for expansion. But reality is an uncertain space. The uncertainty of reality creates infinite cases. On the other hand, this discipline has limits because it analyzes the information that has already been calculated and the parts that can be calculated. In other words, the numerical space implemented via the algorithms is a space of possibilities of finite calculations, which creates a predictable number of cases.
This amounts to saying that a human being and nature virtualized in numerical codes of 0 and 1 via a set of algorithms exists in a system of possibilities of finite calculations. Therefore, these human forms and actions and artificial natures can be predicted or controlled by calculation or mathematical models. Moreover, if this domain continues to expand beyond the limit of actual computational complexity through its desire for expansion, humans and natures will increasingly become virtualized beings as more information will be digitized.
Formation
2020 - 2023
Doctoral
University of Paris 1 Pantheon - Sorbonne
- Visual Arts, Aesthetics and Art Sciences
2019 - 2020
Master
University of Paris 1 Panthéon-Sorbonne
- Fine Arts and Contemporary Creation
2016 - 2019
Master
Royal Academy of Fine Arts of Brussels - Higher School of Art
- Sculpture
2013 - 2014
Bachelor
University of Paris 1 Panthéon-Sorbonne
- Fine Arts
2010 - 2013
Bachelor
National School of Art and Design of Nancy
- Fine Arts
Expériences professionnelles
Exposition Solo
2022
« Borders of uncertainty », CICA Museum, Gimpo, Korea
2021
« Limited uncertainty », Gallery CYART, Seoul, Korea
Exposition Collective
2022
« Une autre scène de Corée », Gallery Odile Ouizeman, Paris, France
« Noir artspace », Serrés du parc André Citroën, Paris, France
« Être et Paraître », Korean Cultural Center, Paris, France
2021
« Out standing », Gallery 59, Paris, France
« Flowers in the attic », Gallery 89, Paris, France
« GSAF », Gallery ADM, Seoul, Korea
« Start up and art docent », Tips town S2, Seoul, Korea
« Outre mesure », Korean Cultural Center, Paris, France
« Concept 2021 », CICA Museum, Gimpo, Korea
« 2021 NFT BEGINS », Gallery CYART, Seoul, Korea
« One to two », Gallery ADM, Seoul, Korea
2020
« 3m² », Gallery Beaubourg, Paris, France
2019
« (IN)ERRANCE », Gallery BIS, Paris, France
« (H)OR'DINAIRE », Gallery 59, Paris, France
« Carte de Visite », Brussels, Belgium
2018
« Love ATH », Ath, Belgium
« Carte de Visite », Brussels, Belgium
« Artemarket », Changgu, Korea
2017
« Autonomy », Brussels, Belgium
« ykab », Gallery Embassy of Korea, Brussels, Belgium
2014
« Performance », Gallery 104, Paris, France
2013
« L'ombre », Gallery NAMIMA, Nancy, France
« Le bureau de dessin », Gallery ESAL, Metz, France
2012
« Monochrome », Gallery CHOPIN, Nancy, France
Others Expériences
2022
Editing : Art now CICA 2022, Korea
2020
Sogang University : book Illustration, Paris, France
Book Title : Dictionnaire raisonné et illustré d’expressions imagées du français
2017
Bleubicon Korea : Production of Disaster Safety Brochures, Seoul, South Korea
2015
Secondseed : Paris Fashion Show (Zio Homme), Space Installation - Paris, France
Contact Me
+33 7 72 12 20 76